The Importance of Being Earnest, Harold Pinter Theatre, 2014
There is often a misconception in theatre that when a classic play is performed, the purpose of its revival must be justified creatively. That is, there is often a self-imposed […]
There is often a misconception in theatre that when a classic play is performed, the purpose of its revival must be justified creatively. That is, there is often a self-imposed […]
Transcendental bigamy, tumultuous ghosts, and the triumph of misogyny – few themes seem less synonymous with the aim of ‘theatrical escapism’ during the dark days of wartime London. Yet Blithe […]
Where did we start from, how did we get to where we are, and how much choice did we have along the way? Are the successes or failures of social […]
‘Comedies of manners quickly become obsolete when there are no longer any manners’, declares the Jeevesian butler in Noel Coward’s Relative Values (1951). His words strike at the heart of […]
The New Theatre’s weekly e-mail round-up was an eye-catcher: ‘Don’t miss Felicity Kendal and Simon Cowell in a classic bittersweet comedy’. I don’t know if this was a tactical marketing […]