Seminar, Hampstead Theatre, 2014
A writer writing about writers – it’s a concept which, on the surface, can’t help sounding slightly self-indulgent. Yet this is the exact undertaking of Theresa Rebeck in her play, […]
A writer writing about writers – it’s a concept which, on the surface, can’t help sounding slightly self-indulgent. Yet this is the exact undertaking of Theresa Rebeck in her play, […]
It’s a tragedy in itself that Kevin Elyot passed away before the revival of My Night with Reg. For his play, in its portrayal of a group of gay male […]
If there was ever a genre of fiction that’s kept at the very height of fashion, it’s the whodunnit. Scout the shelves of any bookshop, scan the listings of the […]
There is often a misconception in theatre that when a classic play is performed, the purpose of its revival must be justified creatively. That is, there is often a self-imposed […]
The revival of any play always begs a new question about its significance. Has its relevance endured? Will it still stand up and speak to us on a second viewing, […]
To commemorate the hundredth anniversary of World War One, the National Theatre’s choice to re-stage Sean O’Casey’s anti-war play, The Silver Tassie, was perhaps not an obvious one. Dismissed by […]
Who wouldn’t have wanted to be a fly on the wall to Margaret Thatcher’s meetings with the Queen? This is the exact premise of Moira Buffini’s new, award-winning comedy, Handbagged, […]
Transcendental bigamy, tumultuous ghosts, and the triumph of misogyny – few themes seem less synonymous with the aim of ‘theatrical escapism’ during the dark days of wartime London. Yet Blithe […]
Where did we start from, how did we get to where we are, and how much choice did we have along the way? Are the successes or failures of social […]
Few of our generation will have made it through childhood without reading from the Choose Your Own Adventure series. Sparking a phenomenon in children’s literature, the idea behind these stories […]